Professor Henry Jenkins published the second part of his interview with his colleague Beth Coleman about avatars and the x-reality (the thing we live in when we constantly switch back and forth from digital space to what we used to call the ‘real world’). I also read Coleman’s book Hello Avatar: Rise of the Networked Generation.
About everything in the interviews and the book is very important to me (also have a look at my Storify of the interview). It’s a deep meditation about the power of co-presence in participatory culture:
Telepresence, or what I am calling copresence (the sense of being present with someone via mediation), is huge for participatory culture. We are moving unerringly toward a more graphic and increasingly real-time mediation. One of the things I underscore in the book is the idea that people in their everyday engagement of networked media create all kinds of innovation and intervention.
Beth Coleman puts all the stuff I care about in a very rich context of the history of gaming, virtuality, but also of cultural studies and philosophy (yes, even the French philosopher Jacques Derrida is mentioned as is the French thinker Jean Baudrillard).
I was just recovering from the book and the tremendous interview when I noticed that Jenkins posted yet another fascinating post, about Otaku culture:
(…) the culture of a technologically literate segment of the population which is characterized by their impassioned engagement, skilled reworking, and intellectual mastery over elements borrowed from many aspects of popular culture, including not only anime and manga, but also games, popular music, digital culture, even history or trains.
William Gibson, the author who coined the word ‘cyberculture’, writes in Distrust That Particular Flavor:
Understanding otaku-hood, I think, is one of the keys to understanding the culture of the Web. There is something profoundly postnational about it, extra-geographic. We are all curators, in the postmodern world, whether we want to be or not.
Jenkins now reports the publication of Fandom Unbound: Otaku Culture in a Connected World, edited by Mizuko Ito, Daisuke Okabe, and Izumi Tsuji, and bringing together works by leading Japanese and western researchers interested in Otaku culture as both a national and transnational phenomenon.
I’ve the impression many people who are knowledgeable in all kinds of web and mobile technologies often are no longer aware of the culture and literature of ’cyberspace’ – which is a shame, as I think it’s crucial for creativity to combine technical expertise with in-depth knowledge of the humanities (literature, philosophy, sociology, anthropology…) as it relates to the disruptive change toward a networked society. Not just creativity in the sense of inventing yet another location-based social network, but the kind of creativity which gave us the iPhone and the iPad.
Anyway, here is a nice video about Otaku which you can also find on Aca-Fan, Jenkins’ site: