Gaming in the cloud is great news for immersive journalism

I love playing Pocket Legends from Spacetime Studios on my iPad (my avatar is the courageous but clumsy Wilbear). The game has all the characteristics of the massively multiplayer online role-playing game (MMORPG) World of Warcraft: quests, group action, contests between players and player groups etc. It’s pretty good graphically speaking, but don’t expect the actual World of Warcraft graphical wizardry.

But then again, this game may get some competition very soon, maybe from World of Warcraft itself and from even more high-end games. Dusan Writer mentions the Gaikai cloud service which may do just that: enabling players to immerse themselves in pc- and console games right in their browsers. Which also means enabling the game companies to reach potential customers without awkward downloads or distributing physical stuff: one click on almost any device as long as there’s a decent broadband connection.  Yay for cloud computing!

Now, this is a real revolution for the gaming industry. Giving players and potential players direct and effortless access to the games also helps the game developers and designers to instantly analyze how people react to the games. Of course, it’s bad news for those living from the physical distribution of games – even though it may take some time before that distribution will be extinct (we’ve the same conversations about print news media of course).

Talking about news media: this development would eliminate yet another hurdle for using immersive journalism techniques. Now we had examples of immersive journalism in Second Life such as this project about the Guantanamo detention center:

Another immersive project by Nonny de la Peña, Cap&Trade:

Other possibilities for journalism include talk shows with a virtual audience, inviting people who would be difficult to get (or rather expensive) in the physical world (Metanomics is a nice example, they’ll have Noam Chomsky on October 12). Or you could simply convene a meeting with community members for an open-ended discussion, more immersive than when using a traditional text chat (have a look at the We Are the Network meetings in Second Life, but there are many other examples).

The problem: not many members of my newspaper community for instance are ready to download the Second Life client, and those willing to do so could run into problems because their computers are relatively low-end or because they are behind some corporate firewall. All those problems could be solved if projects such as Gaikai really succeed in bringing Second Life, OpenSim, Blue Mars (working with another company, Otoy) on any device, anytime and anywhere (always assuming there is decent broadband!). There is also OnLive – which is already up and running in the contiguous US – but which seems to need a limited download (which can be too much asked for office environments).

Once virtual environments are accessible in one click the mainstream audience could unlock easily the possibilities for immersive journalism and immersive storytelling. It will give journalists and storytellers new possibilities to interact with their communities and will make methodologies used in software development even more relevant so as to keep up with news stories and the requirements of the community. This in turn could inspire citizen-journalists or non-professional storytellers to go deeper and create content themselves, knowing that there is a big and relevant community out there to explore their work.

Message to journalism institutes: this makes ‘serious gaming’ and virtual environments even more relevant for your student-journalists. Help them to explore content, network and business opportunities of this development!

MMORPGs show us the future of media

Tomorrow I have the opportunity to facilitate a seminar for journalism students. Preparing the seminar I was surprised how strongly virtual worlds and gaming influence me. No, I don’t believe people will routinely watch and read the news in a World of Warcraft setting, dressed up as Orcs or Trolls. But yes, there is a more subtle but very fundamental influence with implications for the whole media ecosystem.

First I’ll talk about social media. I think it’s still useful to explain the social media ecosystem, mentioning immersive environments/virtual worlds as a way to organize small groups of very interested people, in order to get inspiration and feedback. Blogs, forums and chats are no marginal activities in a newsroom – they’re rapidly becoming core business.

This understanding of social media is just a first step towards gaining insights regarding the major changes taking place in the media. The second part of my presentation will be about the future of media, which sounds rather cliché, but then again, the participants in the seminar are that future.

In a MindMeister map I focus on two compelling aspects which hopefully point out the major change vectors: the social dimension and the real-time interaction. Both aspects lead to engagement of the people formerly known as the audience and thus to the relevance of the media operation.

It really does help to have even a minimal gaming experience. I used to play World of Warcraft for a while and these days I’m getting addicted to a very nice MMO on the iPad: Pocket Legends. The social interaction on forums, blogs and Facebook pages is fun, but what is really exhilirating is participating in a raid, fighting monsters in small groups.

What one experiences is the mental state of flow. Applications of this principle, even for serious news media, are obvious: just compare the action during a chat session with asynchronous commenting, or observe what happens when a comment has to be approved by moderators before it can appear (however, I am strongly in favor of real-time curation and moderation).

In the concept map I try to point out many other similarities between massively multiplayer online role-playing games (MMORPGS) and developments in the news media. This has important consequences for the business model and the management style of news media companies. Agile and Scrum suddenly become relevant for newsrooms. Openness of the development and of news production and curating process become crucial. Fast iteration of tools and design elements will become the norm. Theories about ‘the end of management (as we know it)’ become applicable (media more becoming like movie production, with teams which may get together and disband in function of projects and personal interests).

An example of this: the Liquid News project.
Other examples: have a look at crowdSPRING for design services or eLancer which also includes news-writing (thank you Dusan Writer for mentioning those services in an email-conversation). I don’t think my message for the students will be a pessimistic one. Maybe it will get harder to find a job at big mainstream media companies, but the media ecosystem is expanding. What is needed is an understanding of the many different components of that landscape and entrepreneurial talent.

The MindMeister map is a wiki-map, so feel free to add stuff.