So many interesting things are happening in and around the virtual world High Fidelity that I can’t keep up. The company raised $35 million in June and combines virtual worlds, virtual reality and the blockchain. Philip Rosedale, creator of both Second Life and High Fidelity, also manages to invite interesting people for in-world talks, and in the aftermath of the capital increase he had a fascinating talk with Charlie Fink, an expert in VR, AR, new media and a columnist at Forbes. He also is the author of an AR-enabled book, Metaverse.
In this video Rosedale explains a bit more about the future of High Fidelity and he and Fink brainstorm about new theatre and movie formats which would convert the spectators into actors – a bit like roleplaying in virtual worlds. All this, like concepts such as volumetric video, is rather new to me. During the discussion I heard about other experiments in virtual environments where spectators were converted into bubbles who could follow the actor around. It is obvious there will be formidable challenges like managing the huge data flows involved and finding an equilibrium between the freedom of roleplaying and the need for narrative structure.
I was at Les Rencontres de la Photographie in Arles, France. They also have a VR Arles Festival with a competition for VR productions. Winner is this year Treehugger: Wawona by the London design studio Marshmallow Laser Feast. One becomes a water particle and travels into a giant sequoia tree from the roots to the top. The production also won the Storyscapes Award at the Tribeca Film Festival 2017. The installation involves haptic elements (a backpack, gloves, and a fake tree).
The same studio also made In the Eyes of the Animal where you explore the woods through the eyes of different animals. Which made me think of what the VR pioneer Jaron Lanier says about VR, that it makes you see reality in a new way. Philosophers talk about a ‘multiplicity of worlds’ and VR allows us to experience that. Reality is plural.
Neal Stephenson is the author of Snow Crash, a book which helped me ‘get’ virtual worlds. Today he announces in a blog post that he agreed to become Chief Futurist of Magic Leap, which is a secretive company working on something which seems to get rid of keyboards and other clunky computer stuff in order to make things appear out of thin air. As Snow Crash was all about virtual reality and augmented reality (in 1992!), it seems to make sense to ask such a visionary author to become Futurist of this secretive company.
Yes, I saw something on that optical table I had never seen before–something that only Magic Leap, as far as I know, is capable of doing. And it was pretty cool. But what fascinated me wasn’t what Magic Leap had done but rather what it was about to start doing.Magic Leap is mustering an arsenal of techniques–some tried and true, others unbelievably advanced–to produce a synthesized light field that falls upon the retina in the same way as light reflected from real objects in your environment. Depth perception, in this system, isn’t just a trick played on the brain by showing it two slightly different images.
This is what our author hopes to do:
I’m fascinated by the science, but not qualified to work on it. Where I hope I can be of use is in thinking about what to do with this tech once it is available to the general public. “Chief Futurist” runs the risk of being a disembodied brain on a stick. I took the job on the understanding that I would have the opportunity to get a few things done.
He adds that Magic Leap is “not exclusively about games. It’s also going to be a great tool for readers, learners, scientists, and artists. Games, however, are a good place to start talking about why this tech is different.”
Keep an eye on his blog!
(Hat tip to Colin Dwyer on the two-way for bringing the news).
“Performance philosopher” Jason Silva brings us yet another interesting video, talking about the The Revered Gaze, explaining how immersive technologies are linked to our need to experience transcendence. As such the gothic cathedral and the Oculus Rift are very similar technologies.
I do admit there is the very real possibility of experiencing this Revered Gaze using immersive technologies, but for me personally that’s not really the most important aspect.
What is important to me is the sense of connection and of sharing the same space with others, wherever in the world they are physically located. It’s about exchanging points of view, projects, ideas and yes, emotions. That’s something very different compared to being overwhelmed and in complete awe for some experience which happens to you. So for me the Rift is not really a Gothic Cathedral where one has mystical experiences – it’s a tool for connecting to others to have great discussions and for exchanges of ideas using immersive media.
(Hat tip to VRPat on reddit for starting the discussion there)
This video illustrates two things: first the interesting stuff the Isovista people are doing and second how difficult it is to translate the Oculus-experience into a 2D-video.
What is obvious is how one can immerse oneself into a virtual art exhibition and use clever tricks to navigate around (follow a green path) or to show various art works one after another (walk through ‘boxes’ to trigger the appearance of new art).
The environment is also rather original as they experiment with for instance floorless spaces rather than trying to imitate physical world buildings.
Isovista.org is a group of 3D-design people who build and show art accessible using an Oculus Rift but you can also visit the gallery in your browser (powered by Jibe and using the game creation system Unity 3D) and eventually meet other people there.
Bringing together Jibe and Oculus in one project seems interesting. For now you walk or drift alone in the Oculus-experience while the Jibe-environment of this project feels like a primitive version of Second Life or OpenSim – but sophisticated enough to meet others and to text chat and speak. So wouldn’t it be nice to have collaborative and social futures inside an Oculus Rift environment?
After Facebook acquired Oculus Mark Zuckerberg mentioned that this technology would enable students and teachers all over the world to share a classroom. These days one can use the Oculus in collaborative spaces such as Second Life, but the interface is not yet adapted for an easy and natural user experience – we’ll have to wait for the new Second Life to get that, I guess.
These are Isovista’s goals:
– Provide opportunities to show virtual work and help students, recent graduates and young professionals develop their design skills in virtual media.
– Create new innovative 3D virtual works in Data Visualization, Interaction Design, Education, Music and Social Interfaces through a blending of HCI/Usability and Digital Fine Art.
– Record the rich history of virtual design, connecting the broad academic disciplines that have explored the domain of 3D virtual space and design.
– Connect educators, professionals, and students to support innovation, create opportunities, share examples, and break the new conceptual ground.
Isovista wants to become a 501(c)(3) charity and create a library and marketplace for 3D work and educational content. “Becoming a self-sustaining non-profit that supports independent innovators, students, and the community as a whole is our overarching goal.”
We are working on new initiatives to connect and support the communities and people involved in co-creating and using the metaverse, including new events, a new membership-led community organization (coming soon!), and our latest call for proposals for the recently launched Metaverse Cultural Series.
Metaverse Cultural Series 2013
The Metaverse Cultural Series 2013 is a set of events featuring performances and lectures that highlight unique aspects of metaverse culture. The events will take place in multiple virtual world spaces and the series will showcase innovative artists, thinkers, performers, and academics whose work is on the forefront of exploring what it means to work, play, and live in the emerging metaverse.
Hosts and performers will receive a $50 USD stipend for their participation in the program!
Metaverse Future Society – Coming Soon!
There are many places on the web where communities of interest gather around a particular technology or virtual world platform, but there are few places where those communities can come together to discuss the broader metaverse concept, where it converges with gaming and the web, and where we want it to go.
We envision a new kind of membership-driven organization where those passionate about the metaverse can help shape its future. Through issue advocacy, collaborative working groups, technical standards, and policy development, we can tackle the challenges of the fledgling metaverse today while also growing the career opportunities and professional skills of those working to create the platforms, content, and experiences for an exciting metaverse of tomorrow.
Stay tuned for more information about the Metaverse Future Society and how you can get involved!
Volunteer Opportunities & Open Staff Positions
AvaCon has exciting plans for the new year, and we’re on the lookout for people passionate about the metaverse and virtual worlds to help us showcase all of the terrific work being done in Second Life, Opensim, Unity3D, Open Wonderland, CloudParty, Utherverse and other metaverse-y platforms and technologies. We especially need volunteers with great organizing skills who love to meet and work with people in multiple worlds.
If this sounds like you, then join our organization today and help us help the people making the metaverse a reality! See our open positions and volunteer opportunities at: http://avacon.org/blog/positions/
Donations to AvaCon Now Tax Deductible
We are very pleased that AvaCon received formal 501(c)(3) tax-exempt status from the IRS as a public charity organization, so donations and sponsorships for AvaCon events and activities are now tax deductible!
It’s never too early to start planning for your next year’s taxes, so please consider giving a donation to support AvaCon’s mission as we work towards the growth and development of the metaverse, virtual worlds, augmented reality, and 3D immersive and virtual spaces.
We want to personally wish you a very happy and prosperous New Year and we look forward to supporting, sharing and helping shape the future of the metaverse with you as we start an exciting 2013.
Joyce Bettencourt, President
Chris Collins, Vice President
Kathey Fatica, Treasurer
Interesting. It’s not the first time efforts are being launched for this kind of metaverse-wide approach. I remember roadbooks being feverishly discussed, and of course we have MetaMeets and the folks around the Journal of Virtual Worlds Research. I think it’s neither too late nor too soon for this latest initiatieve – knowing some of the people involved, I’m sure new and passionating ideas will emerge and lead to new and unexpected projects.
The venerable and ancient community The Well is still alive and kicking – it was bought by community members from salon.com. Right now and for the following days you can participate in the annual discussion with author, journalist, futurist and design guru Bruce Sterling and with entrepreneur and Internet veteran Jon Lebkowski about nothing less than the State of the World.
We’re discussing not just the latest trends in technology but also politics and culture. You don’t have to be a member to participate in this wide-ranging discussion. The URL: http://bit.ly/2013-state-of-the-world
I’m recovering from the second MetaMeets day, but here comes my report about the second part of this two-day conference in the beautiful ‘s Hertogenbosch (the Netherlands).
This day was hands-on: we had a workshop during which we learned to use sculptris to make a model, meshlab to clean it up, and then have it 3dprinted at fablab. My own creation was less than stellar (I even had no computer mouse so my equipment was to blame of course, not me!) but anyway, it was great fun. Chris Kautz facilitated the workshop, he has a great website packed with tutorials and resources: art-werx.com. On YouTube he has a series as crocodileEddie.
Much of the conference was about escaping from the virtual or digital world into the real world via augmented reality or 3D-printing, but we also discussed how to get the physical into the virtual, using Microsoft’s motion sensing input device Kinect.
The chair organizer of MetaMeets Jolanda Mastenbroek was thrilled to try out the Kinect – by slowly moving her body, she brought avatars in Second Life to life – they were moving in sync with her movements in the physical world. This could also work for the open source-version of Second Life, OpenSim.
For the techies, please consult this page about Kinect and Second Life. It’s an ongoing project, but imagine the possibilities for machinima, gaming and inevitably adult entertainment (always an indication whether or not a technology will succeed).
In my presentation I asked for business models. Can people earn a living in this sector of virtual worlds, augmented reality and mixed realities? Someone who combines with great success his physical artwork with virtual stuff is the French artist Patrick Moya. We watched this video about his work:
A very different style is this beautiful impression of the Second Life art installations by Artistide Despres, filmed and edited by Marx Catteneo (aka Marc Cuppens) http://www.marccuppens.nl
handheld machinima 2012:
Cuppens also showed this video about The Cube Project LEA 2012 Second Life.
The Cube Project August 2012, “Over 25 virtual artists have joined the ranks of The Cube Project, curated by Bryn Oh, to create a 20-sim exhibit in just 5 days. What’s the theme? Artists can only use two distinct virtual objects: a black cube, and a white cube.”
Bryn Oh: “We are turning away for a moment from the wonderful range of mesh or photoshopping beautiful textures to work instead on simple minimal compositions in black and white, over 20 regions. The overall idea is to create a massive harmonious environment rather than follow the standard exhibition practice of each artist having a clearly defined separate space to exhibit.”
The Cube Project is a collaborative artwork consisting of virtual artists Bryn Oh, Cajska Carlsson, Charlotte Bartlett, Dancoyote Antonelli, Giovanna Cerise, Haveit Neox, Kicca Igaly, L1Aura Loire, London Junkers, Maya Paris, Misprint Thursday, Nessuno Myoo, Oberon Onmura, PatriciaAnne Daviau, Pol Jarvinen, Rag Randt, Rowan Derryth, Sea Mizin, Secret Rage, Solkide Auer, Remington Aries, Solo Mornington, Tony Resident, Werner Kurosawa and Xineohp Guisse.
A video impression by Marx Catteneo – handheld machinima august 2012
Music by the Artist: Logical Confusion Track: Darklight Album: Logical 3
Downloaded from tribeofnoise.com
Virtual worlds are not dead, they just smell funny, Flufee said at the opening of the conference (see previous post). It’s a quote from Frank Zappa who said Jazz isn’t dead. It just smells funny. The same applies for virtual worlds. They are somewhere on the agonizing slow exit of the trough of disillusionment in the Gartner cycle of hype, but they allow us to change the real world as we put layers of digital information on the physical reality. They also allow us to change the real world as they enable artists to create new art.