Toward a Metaverse Future Society!

AvaCon announces:

AvaCon has exciting things planned for 2013!

We are working on new initiatives to connect and support the communities and people involved in co-creating and using the metaverse, including new events, a new membership-led community organization (coming soon!), and our latest call for proposals for the recently launched Metaverse Cultural Series.

Metaverse Cultural Series 2013

The Metaverse Cultural Series 2013 is a set of events featuring performances and lectures that highlight unique aspects of metaverse culture. The events will take place in multiple virtual world spaces and the series will showcase innovative artists, thinkers, performers, and academics whose work is on the forefront of exploring what it means to work, play, and live in the emerging metaverse.

If you are interested in performing or speaking in the Metaverse Cultural Series 2013, or hosting an event in your virtual space, we encourage you to submit your proposal at: http://avacon.org/blog/events/metaverse-cultural-series/

Hosts and performers will receive a $50 USD stipend for their participation in the program!

Metaverse Future Society – Coming Soon!

There are many places on the web where communities of interest gather around a particular technology or virtual world platform, but there are few places where those communities can come together to discuss the broader metaverse concept, where it converges with gaming and the web, and where we want it to go.

We envision a new kind of membership-driven organization where those passionate about the metaverse can help shape its future. Through issue advocacy, collaborative working groups, technical standards, and policy development, we can tackle the challenges of the fledgling metaverse today while also growing the career opportunities and professional skills of those working to create the platforms, content, and experiences for an exciting metaverse of tomorrow.

Stay tuned for more information about the Metaverse Future Society and how you can get involved!
Volunteer Opportunities & Open Staff Positions

AvaCon has exciting plans for the new year, and we’re on the lookout for people passionate about the metaverse and virtual worlds to help us showcase all of the terrific work being done in Second Life, Opensim, Unity3D, Open Wonderland, CloudParty, Utherverse and other metaverse-y platforms and technologies. We especially need volunteers with great organizing skills who love to meet and work with people in multiple worlds.

If this sounds like you, then join our organization today and help us help the people making the metaverse a reality! See our open positions and volunteer opportunities at: http://avacon.org/blog/positions/

Donations to AvaCon Now Tax Deductible

We are very pleased that AvaCon received formal 501(c)(3) tax-exempt status from the IRS as a public charity organization, so donations and sponsorships for AvaCon events and activities are now tax deductible!

It’s never too early to start planning for your next year’s taxes, so please consider giving a donation to support AvaCon’s mission as we work towards the growth and development of the metaverse, virtual worlds, augmented reality, and 3D immersive and virtual spaces.

Donate today at: http://avacon.org/blog/donate/

Best Wishes for a Happy New Year!

We want to personally wish you a very happy and prosperous New Year and we look forward to supporting, sharing and helping shape the future of the metaverse with you as we start an exciting 2013.

Sincerely,

Joyce Bettencourt, President
Chris Collins, Vice President
Kathey Fatica, Treasurer

Interesting. It’s not the first time efforts are being launched for this kind of metaverse-wide approach. I remember roadbooks being feverishly discussed, and of course we have MetaMeets and the folks around the Journal of Virtual Worlds Research. I think it’s neither too late nor too soon for this latest initiatieve – knowing some of the people involved, I’m sure new and passionating ideas will emerge and lead to new and unexpected projects.

A virtual worlds community going beyond virtual worlds?

Fleep Tuque, a major virtual worlds community expert, said on her Google+ page that AvaCon, the organizers of the Second Life Community Convention (SLCC) plans to include the open-source version of Second Life, OpenSim, and other platforms, in the upcoming gatherings (which will get another name). On the AvaCon website it seems they’re looking for volunteers.

In a famous blogpost Tuque previously explained that people who care about the future of the Metaverse need to move beyond Second Life. There was no edition 2012 of the SLCC as there was disagreement between Linden Lab, the company behind Second Life, and AvaCon.

All of which is very interesting as the community conventions were highly creative gatherings, with keynotes from visionaries such as Philip Rosedale and Ray Kurzweil. Most of all, these conventions inspired people who are actually building new layers on top of our reality and who are part of a digital culture avant-garde.

This is how AvaCon defines its mission:

Our mission is to promote the growth, enhancement, and development of the metaverse, virtual worlds, augmented reality, and 3D immersive and virtual spaces. We hold conventions and meetings to promote educational and scientific inquiry into these spaces, and to support organized fan activities, including performances, lectures, art, music, machinima, and much more. Our primary goal is to connect and support the diverse communities and practitioners involved in co-creating and using virtual worlds, and to educate the public and our constituents about the emerging ecosystem of technologies broadly known as the metaverse.

But what is the Metaverse exactly? This is what Wikipedia says:

The Metaverse is our collective online shared space, created by the convergence of virtually enhanced physical reality and physically persistent virtual space, including the sum of all virtual worlds, augmented reality, and the internet. The word metaverse is a portmanteau of the prefix “meta” (meaning “beyond”) and “universe” and is typically used to describe the concept of a future iteration of the internet, made up of persistent, shared, 3D virtual spaces linked into a perceived virtual universe.

So we talk here about the sum of all virtual worlds but also about augmented reality and even ‘the internet’, which seems to be quite a broad definition. Maybe that’s normal as the mobile revolution, ubiquitous computing, the internet of things are integrating ‘the internet’ with the ‘physical space’.

I do hope AvaCon will embrace this broad definition. (Some) people in virtual worlds not only want to export their creations into other virtual places, they also want to turn bits into atoms through 3D-printing (read about Second Life artisan Maxi Gossamer in the New World Notes).

It also makes sense to go beyond virtual worlds (which does not mean abandoning them) as we know them and not just beyond Second Life. In essence these virtual worlds create the illusion of 3D on a flat screen. But what about this? Thesis Prize Winner at the Harvard Graduate School of Design 2011 Greg Tran:

Greg believes that ”People assume we have digital 3D already but this is a fallacy. When you rotate your model on ascreen or watch a Pixar animation is actually just a digital 2d REPRESENTATION of material 3d.What people are calling 3DTV and 3D movies are just a form of shallow depth or Bas Relief, not true digital 3D. The critical/operative imperative of the digital 3D is that there is a subject moving through space. The digital 3D is in its beginning stages, but will evolve in a similar way to the digital 2D. The digital 2D began as a specialized, singular medium which was largely used for documentation purposes, but has evolved towards personalization, interactivity, fluency and distribution.”

Or what about telepresence through iPads mounted on light structures? Or about avatars combined with robotics?

https://youtube.com/watch?v=ARW9n6wy23g?version=3&hl=en_US”>< One of the lessons of the latest MetaMeets conference was that it’s very worthwhile to gather people who are interested in augmented reality, mobile applications, Kinect and Kinect-style sensors, and virtual worlds (plural). I hope AvaCon will succeed in doing this on an even bigger scale and that they will embed their virtual worlds focus into a larger vision.

Read also: The Metaverse is Dead (and the discussion following the post).

Hat tip to Daniel Voyager for posting about Fleep Tuque on Google+ (did I mention I’m kind of addicted to Google+?)

Changing the world while exiting the trough of disillusionment

I’m recovering from the second MetaMeets day, but here comes my report about the second part of this two-day conference in the beautiful ‘s Hertogenbosch (the Netherlands).

This day was hands-on: we had a workshop during which we learned to use sculptris to make a model, meshlab to clean it up, and then have it 3dprinted at fablab. My own creation was less than stellar (I even had no computer mouse so my equipment was to blame of course, not me!) but anyway, it was great fun. Chris Kautz facilitated the workshop, he has a great website packed with tutorials and resources: art-werx.com. On YouTube he has a series as crocodileEddie.

Much of the conference was about escaping from the virtual or digital world into the real world via augmented reality or 3D-printing, but we also discussed how to get the physical into the virtual, using Microsoft’s motion sensing input device Kinect.

The chair organizer of MetaMeets Jolanda Mastenbroek was thrilled to try out the Kinect – by slowly moving her body, she brought avatars in Second Life to life – they were moving in sync with her movements in the physical world. This could also work for the open source-version of Second Life, OpenSim.

For the techies, please consult this page about Kinect and Second Life. It’s an ongoing project, but imagine the possibilities for machinima, gaming and inevitably adult entertainment (always an indication whether or not a technology will succeed).

In my presentation I asked for business models. Can people earn a living in this sector of virtual worlds, augmented reality and mixed realities? Someone who combines with great success his physical artwork with virtual stuff is the French artist Patrick Moya. We watched this video about his work:



A very different style is this beautiful impression of the Second Life art installations by Artistide Despres, filmed and edited by Marx Catteneo (aka Marc Cuppens) http://www.marccuppens.nl
handheld machinima 2012:



Cuppens also showed this video about The Cube Project LEA 2012 Second Life.

The Cube Project August 2012, “Over 25 virtual artists have joined the ranks of The Cube Project, curated by Bryn Oh, to create a 20-sim exhibit in just 5 days. What’s the theme? Artists can only use two distinct virtual objects: a black cube, and a white cube.”

Bryn Oh: “We are turning away for a moment from the wonderful range of mesh or photoshopping beautiful textures to work instead on simple minimal compositions in black and white, over 20 regions. The overall idea is to create a massive harmonious environment rather than follow the standard exhibition practice of each artist having a clearly defined separate space to exhibit.”

The Cube Project is a collaborative artwork consisting of virtual artists Bryn Oh, Cajska Carlsson, Charlotte Bartlett, Dancoyote Antonelli, Giovanna Cerise, Haveit Neox, Kicca Igaly, L1Aura Loire, London Junkers, Maya Paris, Misprint Thursday, Nessuno Myoo, Oberon Onmura, PatriciaAnne Daviau, Pol Jarvinen, Rag Randt, Rowan Derryth, Sea Mizin, Secret Rage, Solkide Auer, Remington Aries, Solo Mornington, Tony Resident, Werner Kurosawa and Xineohp Guisse.

A video impression by Marx Catteneo – handheld machinima august 2012
Music by the Artist: Logical Confusion Track: Darklight Album: Logical 3
Downloaded from tribeofnoise.com



Virtual worlds are not dead, they just smell funny, Flufee said at the opening of the conference (see previous post). It’s a quote from Frank Zappa who said Jazz isn’t dead. It just smells funny. The same applies for virtual worlds. They are somewhere on the agonizing slow exit of the trough of disillusionment in the Gartner cycle of hype, but they allow us to change the real world as we put layers of digital information on the physical reality. They also allow us to change the real world as they enable artists to create new art.

Read also the first part of the MetaMeets report. I also updated my wiki mindmap about this conference.

‘Virtual worlds are not dead, they only smell funny’

Allow Flufee McFluff to introduce this post about the first day of the MetaMeets conference:



You can find the mindmap on which my own presentation (slideshow) was based in the previous post. I update the mindmap in function of what I learn during this two day-conference.
Some highlights of the conference:

The artist Sander Veenhof showed us the beauty and the subversive power of augmented reality. For instance by organizing an exhibition at the MoMa without any official approval:



Veenhof often uses Layar, which is a mobile browser for augmented reality. However, these days Layar seems to focus more on activating print media with interactive experiences – which may be more interesting business-wise, but seems less revolutionary. So it’s not surprising Veenhof these days is rather fond of junaio, which boasts being ‘the most advances augmented reality browser.’

– CJ Davies and John McCaffery presented the Project Open Virtual Worlds at the University of St Andrews. CJ is currently developing a modified Second Life viewer for a tablet computer that allows avatar movement & camera control to reflect the tablet’s real world position & orientation using a combination of accelerometer, magnetometer & GPS data. I think it’s pretty exciting to combine avatars and real world in this way.

– Talking about combining the virtual and ‘the real’, Bart Veldhuizen talked about shapeways.com which is specialized in 3D-printing in various materials – so not only plastics but also metal, nylon or silver. Shapeways boasts a community of about 150,000 members. So would it be interesting for those community members to collaborate in 3D environments? That’s not self-evident as the ideal designs for 3D-printing often diverge from what is ideal in a virtual world such as Second Life. Also, the community members may also be competitors and not so keen on collaborating. There is discussion about all this, as other designers often do want to collaborate and work in ‘virtual guilds’ and virtual worlds could be interesting places for discussions, brainstorming and early prototyping.

– So, to refer to Flufee, are virtual worlds dead, now that the talk is so much about 3D-printing and augmented reality? In the discussions about virtual worlds Maria Korolov (Hypergrid Business) gave expert advice about OpenSim, which seems a good solution for education, especially for younger kids. This was also demonstrated by Nick Zwart, an award-winning pioneer in the educational use of virtual worlds (language education) who uses OpenSim.

MetaMeets! Virtuality Meets Reality

Tomorrow I’ll participate in the MetaMeets gathering in ‘s-Hertogenbosch,The Netherlands. What we’l do and talk about:

MetaMeets is a seminar/meeting about virtual worlds, augmented reality and 3D internet, this year’s topic will be The Art of Creation : Virtuality meets Reality.

Virtual worlds and 3D internet have been developing continuously. Mobile and browser based worlds have been created. Mesh format uploads have provided huge progress in content creation through open source programs like Blender and Google Sketchup.
Machinima creation has grown and improved with special interfaces and innovations in visual possibilities, making films shot in virtual worlds a professional tool for presentation to a mainstream audience.

MetaMeets has chosen this year to shine a light on this versatile digital canvas by taking its participants interactively into the Art of Creation. The programme will begin with a few lectures on the current state of virtual worlds and their new developments. Subsequently, we will have workshops exploring methods of accomplishing each of the key steps in 3D creation. The workshops will range from creating a virtual world on your own server, creating 3D content, creating (motion) pictures of it, and even printing 3D objects as real world 3D models.

We also will have an interactive roundtable discussion based on the movie The Singularity is Near that is released this summer for download and availible on dvd.

This is a mindmap I prepared. My subject is about the virtual which escapes into the real. Or how maybe Second Life is catering for a niche group of people, but the ethos of virtual worlds is spreading fast in what we once called the ‘real world’.



Create your own mind maps at MindMeister

3D printing: does the revolution look vintage already?

Nice overview of 3D-printing:
https://youtube.com/watch?v=S-E6vRfnijw?version=3&hl=en_GB”>< Hat tip to Bruce Sterling on Beyond the Beyond. I liked his comment:

Really makes one anticipate 3d printing in 2022, when all this contemporary stuff looks charmingly crude and tentative. Very “early teens.”

So does our revolution look vintage now already? More about all this during the MetaMeets conference (November 30, December 1, ‘s-Hertogenbosch,The Netherlands): “The Art of Creation : Virtuality meets Reality”. If there really is a Makers revolution going on, how can we support that and profit from it in virtual environments?

Let’s meet at MetaMeets

On November 30 and December 1 the conference “MetaMeets 2012. The Art of Creation : Virtuality meets Reality” takes place (‘s-Hertogenbosch,The Netherlands).

MetaMeets is a seminar/meeting about virtual worlds, augmented reality and 3D internet, this year’s topic will be The Art of Creation : Virtuality meets Reality.

Virtual worlds and 3D internet have been developing continuously. Mobile and browser based worlds have been created. Mesh format uploads have provided huge progress in content creation through open source programs like Blender and Google Sketchup.
Machinima creation has grown and improved with special interfaces and innovations in visual possibilities, making films shot in virtual worlds a professional tool for presentation to a mainstream audience.

MetaMeets has chosen this year to shine a light on this versatile digital canvas by taking its participants interactively into the Art of Creation. The programme will begin with a few lectures on the current state of virtual worlds and their new developments. Subsequently, we will have workshops exploring methods of accomplishing each of the key steps in 3D creation. The workshops will range from creating a virtual world on your own server, creating 3D content, creating (motion) pictures of it, and even printing 3D objects as real world 3D models.

We also will have an interactive roundtable discussion based on the movie The Singularity is Near that is released this summer for dowload and availible on dvd.

The last day’s machinima workshop will feature an evening presentation of that day’s machinima creations and a selection of related machinimas from around the world.

Starting the week before Metameets, there will be an installation on display at our partner’s venue (Nerdlab, Digitale Werkplaats). This installation is the artistic fruit of the workgroup Konnect, which has been exploring ways to create art content using natural interaction devices (like MS Kinect). Martijn Verhallen (Curator Nerdlab), Philippe Moroux (SL artist: Artistide Despres), and Marc Cuppens (SL machinimator: Marx Catteneo) are the creative forces behind Konnect.

I’ll give a talk at the conference about stuff such as 3D-printing, drones, DIY and Maker culture, and how all this ties in into the virtual worlds environments.

MetaMeets poster

3D printing changes the world

These last few days I read some articles about 3D printing in major mainstream publications. Talking about ‘mixed realities’, 3D printing fascinates me as it seems to make it so easy to translate digital constructs into physical ones, or physical ones (through scanning) into digital ones and than back into physical ones.

Izabella Kaminska at FT.com/alphaville points out that in the future manufacturing will be relocated to the demand or resource point. She concludes her post about the ‘3D printing: rise of the machines‘:

Low-cost production techniques could soon become so advanced and so low cost — thanks to developments like 3D printing — that even the tiniest salaries in Africa will not make it worthwhile to employ human beings at all.

Kaminska also posted about ‘how technology is killing the Asian growth miracle‘:

We’ve noted on more than one occasion that economists may be missing a trick when it comes to how technology is changing the global economy. More so, that developments like 3D printing, could even pose a black-swan risk for Asia in their own right.

Read also Vivek Wadhwa in Foreign Policy, who claims that the future of manufacturing is in America, not China – 3D printing being one of the driving forces for this to happen.

At The Economist, the Babbage column says that 3D printing could very well become the PC all over again:

WHAT could well be the next great technological disruption is fermenting away, out of sight, in small workshops, college labs, garages and basements. Tinkerers with machines that turn binary digits into molecules are pioneering a whole new way of making things—one that could well rewrite the rules of manufacturing in much the same way as the PC trashed the traditional world of computing.

But the column warns these tinkerers, quoting Michael Weinberg, a staff lawyer at Public Knowledge (advocacy group in Washington, DC):

There will be a time when impacted legacy industries [will] demand some sort of DMCA for 3D printing,” says Mr Weinberg. If the tinkerers wait until that day, it will be too late.

One of the issue to consider is what role virtual environments can play in facilitating 3D-printing and international collaboration in that sector. I’m sure that will be one of the topics at the upcoming MetaMeets conference in the Netherlands.

Gorree: ‘avatars are everywhere. Let’s use them even more!’

Avatars are everywhere nowadays. Not only in fully immersive virtual worlds but also on social networks in Flatland such as Twitter, Facebook etc. They come in many forms and one might even say there have been avatars for centuries, like the heads of kings on coins or of presidents and other important people on paper money.
At the MetaMeets conference in Amsterdam I interviewed Tim Gorree, IT Solution Architect at Nokia, about avatars:

Previous posts about MetaMeets:
MetaMeets:”We are at the beginning
MetaMeets Day 2: “Going beyond virtual worlds, machinima, avatars…
“Kitely asks for some help to get virtual worlds on the web

Kitely asks for some help to get virtual worlds on the web

I’ve been very busy covering the European debt crisis, but now it’s time for something completely different: the future of virtual worlds. At MetaMeets in Amsterdam, almost two weeks ago now, I interviewed some very inspiring people. I’m working on a story for a mainstream audience about virtual worlds, but I’ll publish some stuff now already on this blog.

Ilan Tochner is the founder of Kitely, a company which works on a project allowing users to create their OpenSim-based virtual world as easily as posting a YouTube-video. Just give it a try, it actually works!

Tochner however realizes that also the guests visiting those virtual worlds should have a very smooth, basically one-click kind of experience when entering those environments. He claims it’s possible to build web-based virtual world viewers – all Tochner needs is a little help from his virtual world friends.

I hope he is right about this – it would help tremendously offering a web-based access. People are used to the web, they want frictionless, instantaneous gratification. Every click extra, every hurdle they have to take means that your number of visitors dramatically decreases.

Remember: it’s not about convincing those who are willing to experiment with virtual worlds. It’s about offering some activity which interests a specific audience – an activity which probably has nothing to do with virtual worlds as such, virtual worlds would just be a cool platform. So getting people into your venue should be totally non-geeky and straightforward.