Oculus Rift can be a Tool for Data Visualization (and Marketing of course)

Last week a colleague at my newspaper told me about Oculus Rift experiments by data visualization experts. It seems logical to use virtual reality for data visualization – after all that’s what people also did and I guess still do in virtual environments such as Second Life and OpenSim. Personally I never did much more than 3D brainstorming by putting up media billboards showing videos and websites about a certain topic. I (my avatar) walked around those things and meditated, making all kinds of associations.

I did some browsing to find more compelling examples of data visualization, and these are some must-read articles:

– Mike Wheatley at SiliconAngle.com explains how Virtual Reality brings Big Data visualization to life. He talks about engineers using OpenSim for visualization experiments and the development of a 3-D data browser based on the Unity3D game development engine “capable of rendering 100,000 data objects in about 15 seconds onto a bog standard 2011 Macbook Air”.

– Andy Greenberg on Wired wrote about the Defense Advanced Research Projects Agency (DARPA) turning Oculus into a Weapon for Cyberwar. The real use by soldiers is still years away, but the researchers envision a future in which similar devices could be used for offensive hacking as well as defense and reconnaissance.

Fidelity Labs, Fidelity Investments’ R&D think-tank, has launched StockCity, a virtual-reality view of an investor’s portfolio. I still have to test it, it seems something between a useful visualization tool and a marketing gadget, but here is a video:

Arch Virtual ran a story about City Planning and Urban Design with Oculist Rift and they published an e-book about Unity3D and Architectural Visualization (including a chapter about the Rift).

So lots of experimenting going on, still early phase.

 

Toward a Metaverse Future Society!

AvaCon announces:

AvaCon has exciting things planned for 2013!

We are working on new initiatives to connect and support the communities and people involved in co-creating and using the metaverse, including new events, a new membership-led community organization (coming soon!), and our latest call for proposals for the recently launched Metaverse Cultural Series.

Metaverse Cultural Series 2013

The Metaverse Cultural Series 2013 is a set of events featuring performances and lectures that highlight unique aspects of metaverse culture. The events will take place in multiple virtual world spaces and the series will showcase innovative artists, thinkers, performers, and academics whose work is on the forefront of exploring what it means to work, play, and live in the emerging metaverse.

If you are interested in performing or speaking in the Metaverse Cultural Series 2013, or hosting an event in your virtual space, we encourage you to submit your proposal at: http://avacon.org/blog/events/metaverse-cultural-series/

Hosts and performers will receive a $50 USD stipend for their participation in the program!

Metaverse Future Society – Coming Soon!

There are many places on the web where communities of interest gather around a particular technology or virtual world platform, but there are few places where those communities can come together to discuss the broader metaverse concept, where it converges with gaming and the web, and where we want it to go.

We envision a new kind of membership-driven organization where those passionate about the metaverse can help shape its future. Through issue advocacy, collaborative working groups, technical standards, and policy development, we can tackle the challenges of the fledgling metaverse today while also growing the career opportunities and professional skills of those working to create the platforms, content, and experiences for an exciting metaverse of tomorrow.

Stay tuned for more information about the Metaverse Future Society and how you can get involved!
Volunteer Opportunities & Open Staff Positions

AvaCon has exciting plans for the new year, and we’re on the lookout for people passionate about the metaverse and virtual worlds to help us showcase all of the terrific work being done in Second Life, Opensim, Unity3D, Open Wonderland, CloudParty, Utherverse and other metaverse-y platforms and technologies. We especially need volunteers with great organizing skills who love to meet and work with people in multiple worlds.

If this sounds like you, then join our organization today and help us help the people making the metaverse a reality! See our open positions and volunteer opportunities at: http://avacon.org/blog/positions/

Donations to AvaCon Now Tax Deductible

We are very pleased that AvaCon received formal 501(c)(3) tax-exempt status from the IRS as a public charity organization, so donations and sponsorships for AvaCon events and activities are now tax deductible!

It’s never too early to start planning for your next year’s taxes, so please consider giving a donation to support AvaCon’s mission as we work towards the growth and development of the metaverse, virtual worlds, augmented reality, and 3D immersive and virtual spaces.

Donate today at: http://avacon.org/blog/donate/

Best Wishes for a Happy New Year!

We want to personally wish you a very happy and prosperous New Year and we look forward to supporting, sharing and helping shape the future of the metaverse with you as we start an exciting 2013.

Sincerely,

Joyce Bettencourt, President
Chris Collins, Vice President
Kathey Fatica, Treasurer

Interesting. It’s not the first time efforts are being launched for this kind of metaverse-wide approach. I remember roadbooks being feverishly discussed, and of course we have MetaMeets and the folks around the Journal of Virtual Worlds Research. I think it’s neither too late nor too soon for this latest initiatieve – knowing some of the people involved, I’m sure new and passionating ideas will emerge and lead to new and unexpected projects.

A virtual worlds community going beyond virtual worlds?

Fleep Tuque, a major virtual worlds community expert, said on her Google+ page that AvaCon, the organizers of the Second Life Community Convention (SLCC) plans to include the open-source version of Second Life, OpenSim, and other platforms, in the upcoming gatherings (which will get another name). On the AvaCon website it seems they’re looking for volunteers.

In a famous blogpost Tuque previously explained that people who care about the future of the Metaverse need to move beyond Second Life. There was no edition 2012 of the SLCC as there was disagreement between Linden Lab, the company behind Second Life, and AvaCon.

All of which is very interesting as the community conventions were highly creative gatherings, with keynotes from visionaries such as Philip Rosedale and Ray Kurzweil. Most of all, these conventions inspired people who are actually building new layers on top of our reality and who are part of a digital culture avant-garde.

This is how AvaCon defines its mission:

Our mission is to promote the growth, enhancement, and development of the metaverse, virtual worlds, augmented reality, and 3D immersive and virtual spaces. We hold conventions and meetings to promote educational and scientific inquiry into these spaces, and to support organized fan activities, including performances, lectures, art, music, machinima, and much more. Our primary goal is to connect and support the diverse communities and practitioners involved in co-creating and using virtual worlds, and to educate the public and our constituents about the emerging ecosystem of technologies broadly known as the metaverse.

But what is the Metaverse exactly? This is what Wikipedia says:

The Metaverse is our collective online shared space, created by the convergence of virtually enhanced physical reality and physically persistent virtual space, including the sum of all virtual worlds, augmented reality, and the internet. The word metaverse is a portmanteau of the prefix “meta” (meaning “beyond”) and “universe” and is typically used to describe the concept of a future iteration of the internet, made up of persistent, shared, 3D virtual spaces linked into a perceived virtual universe.

So we talk here about the sum of all virtual worlds but also about augmented reality and even ‘the internet’, which seems to be quite a broad definition. Maybe that’s normal as the mobile revolution, ubiquitous computing, the internet of things are integrating ‘the internet’ with the ‘physical space’.

I do hope AvaCon will embrace this broad definition. (Some) people in virtual worlds not only want to export their creations into other virtual places, they also want to turn bits into atoms through 3D-printing (read about Second Life artisan Maxi Gossamer in the New World Notes).

It also makes sense to go beyond virtual worlds (which does not mean abandoning them) as we know them and not just beyond Second Life. In essence these virtual worlds create the illusion of 3D on a flat screen. But what about this? Thesis Prize Winner at the Harvard Graduate School of Design 2011 Greg Tran:

Greg believes that ”People assume we have digital 3D already but this is a fallacy. When you rotate your model on ascreen or watch a Pixar animation is actually just a digital 2d REPRESENTATION of material 3d.What people are calling 3DTV and 3D movies are just a form of shallow depth or Bas Relief, not true digital 3D. The critical/operative imperative of the digital 3D is that there is a subject moving through space. The digital 3D is in its beginning stages, but will evolve in a similar way to the digital 2D. The digital 2D began as a specialized, singular medium which was largely used for documentation purposes, but has evolved towards personalization, interactivity, fluency and distribution.”

Or what about telepresence through iPads mounted on light structures? Or about avatars combined with robotics?

One of the lessons of the latest MetaMeets conference was that it’s very worthwhile to gather people who are interested in augmented reality, mobile applications, Kinect and Kinect-style sensors, and virtual worlds (plural). I hope AvaCon will succeed in doing this on an even bigger scale and that they will embed their virtual worlds focus into a larger vision.

Read also: The Metaverse is Dead (and the discussion following the post).

Hat tip to Daniel Voyager for posting about Fleep Tuque on Google+ (did I mention I’m kind of addicted to Google+?)

Virtual communities on Google+

Getting tons of invites for communities on Google Plus. A limited selection: communities for Digital Culture (look for Ted Newcomb to get an invite), Second Life (288 members already), Second Life Arts (135 members), Opensim Virtual (‘First there was Second Life, then there was Freedom), MetaMeets (3D internet conference), Augmented Reality, 3D printing (1,307 members), Ingress (the Google alternate reality game) (7,193 members) and other Ingress-communities (for the resistance, the enlightened, for various countries…).

Google+ also offers a selection of interesting communities and of course allows you to search for specific interests: fond out more at Google+ communities.

There are discussions about whether the discussion threads should be indexed, tagged (of should we use hashtages), privacy, big corporates, but I definitely have the impression it increases the activity on Google+ and makes it far more valuable.

Changing the world while exiting the trough of disillusionment

I’m recovering from the second MetaMeets day, but here comes my report about the second part of this two-day conference in the beautiful ‘s Hertogenbosch (the Netherlands).

This day was hands-on: we had a workshop during which we learned to use sculptris to make a model, meshlab to clean it up, and then have it 3dprinted at fablab. My own creation was less than stellar (I even had no computer mouse so my equipment was to blame of course, not me!) but anyway, it was great fun. Chris Kautz facilitated the workshop, he has a great website packed with tutorials and resources: art-werx.com. On YouTube he has a series as crocodileEddie.

Much of the conference was about escaping from the virtual or digital world into the real world via augmented reality or 3D-printing, but we also discussed how to get the physical into the virtual, using Microsoft’s motion sensing input device Kinect.

The chair organizer of MetaMeets Jolanda Mastenbroek was thrilled to try out the Kinect – by slowly moving her body, she brought avatars in Second Life to life – they were moving in sync with her movements in the physical world. This could also work for the open source-version of Second Life, OpenSim.

For the techies, please consult this page about Kinect and Second Life. It’s an ongoing project, but imagine the possibilities for machinima, gaming and inevitably adult entertainment (always an indication whether or not a technology will succeed).

In my presentation I asked for business models. Can people earn a living in this sector of virtual worlds, augmented reality and mixed realities? Someone who combines with great success his physical artwork with virtual stuff is the French artist Patrick Moya. We watched this video about his work:



A very different style is this beautiful impression of the Second Life art installations by Artistide Despres, filmed and edited by Marx Catteneo (aka Marc Cuppens) http://www.marccuppens.nl
handheld machinima 2012:



Cuppens also showed this video about The Cube Project LEA 2012 Second Life.

The Cube Project August 2012, “Over 25 virtual artists have joined the ranks of The Cube Project, curated by Bryn Oh, to create a 20-sim exhibit in just 5 days. What’s the theme? Artists can only use two distinct virtual objects: a black cube, and a white cube.”

Bryn Oh: “We are turning away for a moment from the wonderful range of mesh or photoshopping beautiful textures to work instead on simple minimal compositions in black and white, over 20 regions. The overall idea is to create a massive harmonious environment rather than follow the standard exhibition practice of each artist having a clearly defined separate space to exhibit.”

The Cube Project is a collaborative artwork consisting of virtual artists Bryn Oh, Cajska Carlsson, Charlotte Bartlett, Dancoyote Antonelli, Giovanna Cerise, Haveit Neox, Kicca Igaly, L1Aura Loire, London Junkers, Maya Paris, Misprint Thursday, Nessuno Myoo, Oberon Onmura, PatriciaAnne Daviau, Pol Jarvinen, Rag Randt, Rowan Derryth, Sea Mizin, Secret Rage, Solkide Auer, Remington Aries, Solo Mornington, Tony Resident, Werner Kurosawa and Xineohp Guisse.

A video impression by Marx Catteneo – handheld machinima august 2012
Music by the Artist: Logical Confusion Track: Darklight Album: Logical 3
Downloaded from tribeofnoise.com



Virtual worlds are not dead, they just smell funny, Flufee said at the opening of the conference (see previous post). It’s a quote from Frank Zappa who said Jazz isn’t dead. It just smells funny. The same applies for virtual worlds. They are somewhere on the agonizing slow exit of the trough of disillusionment in the Gartner cycle of hype, but they allow us to change the real world as we put layers of digital information on the physical reality. They also allow us to change the real world as they enable artists to create new art.

Read also the first part of the MetaMeets report. I also updated my wiki mindmap about this conference.

‘Virtual worlds are not dead, they only smell funny’

Allow Flufee McFluff to introduce this post about the first day of the MetaMeets conference:



You can find the mindmap on which my own presentation (slideshow) was based in the previous post. I update the mindmap in function of what I learn during this two day-conference.
Some highlights of the conference:

The artist Sander Veenhof showed us the beauty and the subversive power of augmented reality. For instance by organizing an exhibition at the MoMa without any official approval:



Veenhof often uses Layar, which is a mobile browser for augmented reality. However, these days Layar seems to focus more on activating print media with interactive experiences – which may be more interesting business-wise, but seems less revolutionary. So it’s not surprising Veenhof these days is rather fond of junaio, which boasts being ‘the most advances augmented reality browser.’

– CJ Davies and John McCaffery presented the Project Open Virtual Worlds at the University of St Andrews. CJ is currently developing a modified Second Life viewer for a tablet computer that allows avatar movement & camera control to reflect the tablet’s real world position & orientation using a combination of accelerometer, magnetometer & GPS data. I think it’s pretty exciting to combine avatars and real world in this way.

– Talking about combining the virtual and ‘the real’, Bart Veldhuizen talked about shapeways.com which is specialized in 3D-printing in various materials – so not only plastics but also metal, nylon or silver. Shapeways boasts a community of about 150,000 members. So would it be interesting for those community members to collaborate in 3D environments? That’s not self-evident as the ideal designs for 3D-printing often diverge from what is ideal in a virtual world such as Second Life. Also, the community members may also be competitors and not so keen on collaborating. There is discussion about all this, as other designers often do want to collaborate and work in ‘virtual guilds’ and virtual worlds could be interesting places for discussions, brainstorming and early prototyping.

– So, to refer to Flufee, are virtual worlds dead, now that the talk is so much about 3D-printing and augmented reality? In the discussions about virtual worlds Maria Korolov (Hypergrid Business) gave expert advice about OpenSim, which seems a good solution for education, especially for younger kids. This was also demonstrated by Nick Zwart, an award-winning pioneer in the educational use of virtual worlds (language education) who uses OpenSim.

MetaMeets! Virtuality Meets Reality

Tomorrow I’ll participate in the MetaMeets gathering in ‘s-Hertogenbosch,The Netherlands. What we’l do and talk about:

MetaMeets is a seminar/meeting about virtual worlds, augmented reality and 3D internet, this year’s topic will be The Art of Creation : Virtuality meets Reality.

Virtual worlds and 3D internet have been developing continuously. Mobile and browser based worlds have been created. Mesh format uploads have provided huge progress in content creation through open source programs like Blender and Google Sketchup.
Machinima creation has grown and improved with special interfaces and innovations in visual possibilities, making films shot in virtual worlds a professional tool for presentation to a mainstream audience.

MetaMeets has chosen this year to shine a light on this versatile digital canvas by taking its participants interactively into the Art of Creation. The programme will begin with a few lectures on the current state of virtual worlds and their new developments. Subsequently, we will have workshops exploring methods of accomplishing each of the key steps in 3D creation. The workshops will range from creating a virtual world on your own server, creating 3D content, creating (motion) pictures of it, and even printing 3D objects as real world 3D models.

We also will have an interactive roundtable discussion based on the movie The Singularity is Near that is released this summer for download and availible on dvd.

This is a mindmap I prepared. My subject is about the virtual which escapes into the real. Or how maybe Second Life is catering for a niche group of people, but the ethos of virtual worlds is spreading fast in what we once called the ‘real world’.



Create your own mind maps at MindMeister

There is more about games than competition…

I’m working on my final written assignment for the Gamification Course at Coursera (our professor is Kevin Werbach, The Wharton School, Univ. of Pennsylvania). One of the most inspiring comments were made during the interview by Werbach of Amy Jo Kim, an expert in game design, gamification and and ‘the development of social architectures’.
On the question about the future of gamification, she answered:

I think what we see right now is the awakening of what will be a much bigger and longer trend, and I don’t think it will be called gamification cuz I don’t think it’ll be one thing. I think it will be many different techniques that are inspired by games, that get embedded in different ways in software. So short answer is, I think the word will go away but the wave will only grow bigger and will become an integral part of most software.

Werbach asked about Richard Bartle‘s notion of player types – something which is also much discussed by virtual worlds experts. In Bartle’s player type model for Massively Multiplayer Online Games (MMOG) we distinguish:
– achievers, acting on the world, wanting recognition for their achievements.
– explorers, those who want to interact with the world.
– socializers: those who want primarily to interact with other players.
– killers: they not just want to win, but want to totally vanquish and destroy other players. Or they can control a group by playing a very crucial role, like that of a healer, keeping the whole team together.

Amy Jo Kim warns that while useful for a specific kind of game, Bartle’s model as such is not useful in other contexts – like in most gamification contexts (which are not games in themselves, but where elements and gaming design principles are being used). She works with ‘social engagement verbs’:

Very similarly, there’s competing, collaborating, exploring, and expressing. Explore is right out of Bartle, so that one is similar. Competing is similar to the achievers, but more specific. Collaborating is very much what he calls socializers, but with a very game perspective. (…) and then what Bartle didn’t talk about at all that is a huge driver in social media and social gaming is self-expression. That one was missing. And the drive toward self-expression. For many people, that’s a primary player
type.

This is crucial, as for instance young moms or middle-aged moms will respond more to collaborative mechanics and social mechanics. Which is very interesting, as games do not have to be zero-sum games. There is competitive gaming, but there are also collaborative games. Games such as The Sims and The Sims Online, or Rock Band (she worked on those games) don’t have quantifiable outcomes. ‘You just keep playing’. Amy Jo Kim defines those games as a structured experience with rules and goals that’s fun to play. ‘Rules and goals are pretty critical, fun to play is pretty critical, or at least pleasant, engaging.’
I think what she describes is very interesting for gamification in general, it really broadens our vision of what ‘games’ are, and I guess it could also be applied to open-ended virtual worlds, such as Second Life or OpenSim.
Here you see Amy Jo Kim during Google Tech Talks about applying game mechanics to functional software:

The metaverse is dead. Long live shared creative spaces!

Linden Lab, the company behind the virtual world Second Life, is about to launch two non-Second Life products: Creatorverse and Patterns. Creatorverse is an iPad-app:

Patterns will be a ‘new 3D creative environment’. Virtual World-watcher Wagner James Au says on New World Notes that Linden Lab no longer has as mission to make an online world ‘that advances the human condition’ but rather specializes in ‘shared creative spaces’ – not in facilitating the emergence of the metaverse. For those who forgot about the metaverse – which seems these days a bit like an antiquated idea – Wikipedia defines it as thus:

The Metaverse is our collective online shared space, created by the convergence of virtually enhanced physical reality and physically persistent virtual space, including the sum of all virtual worlds, augmented reality, and the internet. The word metaverse is a portmanteau of the prefix “meta” (meaning “beyond”) and “universe” and is typically used to describe the concept of a future iteration of the internet, made up of persistent, shared, 3D virtual spaces linked into a perceived virtual universe.

Second Life is stagnating, at least not growing like Californian tech companies are supposed to growth (that being said, it seems to be profitable). I’ve been fascinated by that virtual world since about 2007, as it allows to transcend geographical and maybe even cultural distances. It enables people to meet, avatar-wise, in shared and persistent spaces. It has a creative and liberal culture – the world is almost entirely created by its ‘residents’. For a while I thought that maybe the future internet would look like a sophisticated Second Life, and that 2D-objects such as websites would simply be a part of that metaverse.

In the meantime I realized that it’s a niche culture. At first it was believed that Second Life, as a user-generated, free culture for (mainly) adults did not go mainstream because of management and marketing errors. There were other attempts to create a open-ended, user-generated worlds, such as Lively (Google), Metaplace.com (Raph Koster), Blue Mars, which failed. Other worlds are still very much alive such as OpenSim (like Second Life, but open source), the very new Cloud Party (browser-based) and Jibe (an embeddable virtual environment, visit Reactiongrid’s new site). I like projects such as OpenSim and Jibe, but those are even more niche than Second Life (and often the users/residents are former Second Life people).

Moya museum in the virtual world Cloud Party

Patrick Moya museum in the virtual world Cloud Party

Some think that virtual environments will gain traction once they are browser-based (no hefty downloads) and are made easier to use. I’m sceptical: while I feel comfortable in a virtual environment and as an avatar, for many others it’s an uncanny experience, especially in a professional context. I have the feeling that it is about the representation of oneself and others, about identities, not about technical hurdles.

It seems to be different for online games which of course did go mainstream, also for adult audiences – but then again, these are games, not open ended user generated worlds. Minecraft is very popular, but it’s more a game (while there are game environments inside Second Life, the world itself is not a game). As it is explained on the Minecraft site:

I strongly believe that all good stories have a conflict, and that all good games tell a good story regardless of if it’s pre-written or emergent. Free building mode is fine and dandy, but for many people it will ultimately become boring once you’ve got it figured out. It’s like playing a first person shooter in god mode, or giving yourself infinite funds in a strategy game.. a lack of challenge kills the fun.

Still, I do like this notion of virtual shared creative spaces. It is exactly what we’ll need in many different contexts, as globalization increases dramatically and the technological possibilities multiply exponentially. But there is competition. Just suppose you want to link up with other people, elsewhere in the world, for a project or even a joint venture. You don’t have the budget for a high-end videoconferencing system. I guess that Google+ Hangout – with its videoconferencing features, screensharing, chat-possibilities, apps, network, possibility to save the conference and with links with the other Google goodies would do a very nice job. It even is free.
My guess is that you’ll mainly use the Google-stuff. A virtual environment? Maybe to create 3D-objects together, if that would be your line of business or educational project. Or as a fun experiment. Or for a simulation.

I don’t want to downplay the importance of these possibilities. Especially not because I’m a firm believer in the importance of developments such as 3D printing. Creating 3D objects together, or at least experiencing 3D prototypes in a virtual environment might very well be very interesting. But I would not call it ‘the metaverse’.

Virtual Worlds, Games and Education (another MOOC!)

There is a true explosion going on in open online learning. I don’t know whether it’s always “massive” as in Massive Open Online Course (MOOC), but anyway, there is a lot happening out there.

I don’t have statistics about how many projects there are, nor about the total number of participants and how many “succeed”. One of the issues here is that the definitions are not obvious. When do we say something is “massive”? What does it mean to “succeed”? The other issue is that I don’t care. I just feel that there is so much going on that I cannot find the time to blog about it all. For instance, I did not yet find the time to report about the MOOC  A Virtual Worlds, Games and Education Tour.

You’ll notice that the above link directs you to a site on P2PU, which is The Peer 2 Peer University:

a grassroots open education project that organizes learning outside of institutional walls and gives learners recognition for their achievements. P2PU creates a model for lifelong learning alongside traditional formal higher education. Leveraging the internet and educational materials openly available online, P2PU enables high-quality low-cost education opportunities. P2PU – learning for everyone, by everyone about almost anything.

The participants conduct virtual world tours and exploration, study and experiment using machinima, World of Warcraft and discuss about the bleeding edge of these technologies.

Of course there is a lot of Second Life in all this, which is normal because it really is a world where about all content is being created by the “residents”, using 3D building and scripting techniques. However, the course also discusses Inworldz and New World Grid – virtual worlds based on the OpenSim software (and as such very familiar for those used to Second Life), the games EVE Online and World of Warcraft (WoW), and I guess other virtual or game environments will be discussed as well (Minecraft).

The course is very distributed, participants work in the virtual environments but also on a number of social media platforms, while the whole things is organized and commented through the P2P U site and a WordPress blog. Also have a look at the social bookmark collection at Diigo.

Lack of time prevented me from participating in this course, but I did read posts on the forums. Subjects being discussed:

– How games such as WoW manage to make missions difficult enough to be interesting but not so difficult as to chase the players away.

– How games incite players to analyze situations and to work together in teams (for raids) and in larger groups (guilds). Leadership skills are being learned and practiced which can be useful in the “real world”.

– How can sophisticated virtual world Intelligent Agents (NPCs or BOTs) be used in learning environments?

– Practical stuff about screen capturing and making video in virtual environments, and about the educational application of these practices. (In general: even for those not participating in the course, you’ll learn a lot just browsing through the posts and bookmarks, watching the videos. One also discovers tools such as Livebinder and in Livebinder this collection of tools about screen capturing and video producing in virtual and gaming environments… )

– Interesting discussions about how educators try to use and promote cutting edge technology in their work, which is not always appreciated by everyone in the institutions.

This MOOC follows on a three-day conference  about best practices for virtual worlds in education (VWBPE).  Here is the video announcing the  VWBPE conference – I like it because it illustrates how original and creative gatherings in a virtual world can be. Which makes me believe that even the further expansion of affordable and free videoconferencing will not make such virtual meetings obsolete.